WANDERING OF UNTIMELY ONES

TWILIGHT

1.
My impossible. – Seneca, or the toreador of virtue. – Rousseau, or the return to nature in impuris naturalibus [impurities in the physical world]. Schiller: or the moral trumpeter of Säckingen. – Dante, or the hyena, which poetry in graves. – Kant: or cant as an intelligible character. – Victor Hugo, or Pharos, the sea of nonsense. – Liszt: or the School of Velocity – for women. – George Sand: or lactea ubertas [milky fertility], in German: the dairy cow with “nice” style. – Michelet: or the excitement that takes off the skirt… Carlyle: or pessimism as the poorly digested lunch. – John Stuart Mill: or insulting clarity. – Les Frères de Goncourt: Ajax or the two in the fight with Homer. Music by Offenbach. – Zola: or “the joy of stink.” –

Continue reading

FRAGMENT ANTIJURIDICAL AMORAL NIHILISTIC

eterno ritorno

A “first” fragment has been placed in the deconstruction of the criminal trial, the overall apparatus of the secular moral-monster of justice and “logical” use of judgment; in which we introduce into the “dissolution” of any bourgeois law, that reflects and projects it’s “shadow” – the cancellation of the individual -, delivering a resolution of the thorny specification and arduous path of anti-judicialism.

The path is hard to follow.

Continue reading

THE “IMPROVERS (VERBESSERER)” OF MANKIND.

TWILIGHT

 

 

 

 

 

1.

One knows my demand to the philosopher, to stand beyond good and evil (jenseits von Gut und Böse), – the illusion of a moral proposition to have among themselves. This demand follows from an insight that has been formulated by me for the first time: that there are no moral facts. The sentence has the moral with the religious public that it believes in realities, which are not. Morality is only an interpretation of certain phenomena, certain spoken, a misreading.

Continue reading

MORALITY AS ANTI-NATURE

TWILIGHT

 

 

 

 

 

 

1.

All passions have a time when they are merely disastrous, when they pull down with the severity of the stupidity of their victims – and a later, much later, where they marry with the mind to “spiritualize”. Formerly it was because of the stupidity in the passion, the passion of the war itself: they conspired for their destruction – all the old moral monsters are unanimous about it, “il faut les tuer passions.” [one must kill the passions].

Continue reading

AS THE “TRUE WORLD” FINALLY BECAME A FABLE

TWILIGHT

 

 

 

 

 

 

HISTORY OF AN ERROR.

(GESCHICHTE EINES IRRTHUMS).

Continue reading